She wakes, crying. Yesterday’s images won’t leave her mind: the laughing men with roaring chainsaws telling her to calm down; the world-shattering grind of chippers; all those newly gutted spaces where trunks and branches and leaves and roots—other beings’ worlds–used to stand. In this ghost town of a development, run by an outsized homeowner’s association, just one woman continues making all the decisions, to decimate an ethic, while destroying the homes of all the other beings here except the human beings.
It never stops—there are crews constantly cutting, slashing, slicing, chopping, breaking every single day, all over Sea Ranch. Shelter, homes, other beings’ infrastructure—now sticks and cut trunks and piles of chips. The human architecture—its surrounding “garden” freshly shorn— awaits the few human visitors it’ll see all year. Some humans stop in for a few days; others stay longer; just a few others live here year-round. The ghosts in the Sea Ranch ghost town — the “owners” who work with rental agencies to sell vacation spaces — use this fragile part of the California coast as an investment strategy. But they can’t see whose worlds they destroy because the approving woman silently stands between them and the obscenity of lost worlds.
She lies in bed, eyes closed, while the countless rabbits she’s seen huddling under gutted trees won’t leave her mind, because she knows she’ll see them again today. The quail scattering to find shelter and yelling for days, trying to find each other past the sheep’s electric fences and “weed” whackers. All the new bucks in the neighborhood, looking for food, hiding under shrubs because the trees are just standing trunks now. The big birds, looking for the missing big perches. The monarch butterflies, who should live in the Monarch Glen behind her house, disappearing because they can no longer overwinter in the cypresses next to the Glen. The Monterey Cypresses have been gutted by an angry “owner” next door who didn’t want to mow and “clean up” anymore. A wind tunnel hole lives there now.
There’s a scene in the movie, Lone Plains Drifter, where men with whips surround an unarmed man in the middle of a rural town. It’s nighttime, and all the townspeople are in their homes, silently looking out their windows. As they watch, the surrounded man is slowly whipped to death. No one comes out of their houses. No one yells, “stop!” No one tries to divert attention. No one does anything to help.
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First Rural Portal Project edition anticipated January 20, 2020 in honor of Dr. Martin Luther King, Jr.
The Center for U.S. Rural Cultures Studies is an Accelerate Publishing project. Accelerate: A Niche Publishing & Communications Consulting Co.,–est. in 2015–is a socially just for-profit small business in California.